Hussein Nassereddine

Hussein Nassereddine is a multidisciplinary artist living and working between Beirut (Lebanon), and Paris (France). His work in installation, writing, video and performance originates from a practice around language that builds fragile monuments - some verbal, some sonic, some tactile - rooted in collective histories and resources of poetry, ruins, construction and image-making.

His works, performances and texts have been presented in museums, biennales and institutions around the world, including the Diriyah Contemporary Art Biennale (2024), Kochi-Muziris Biennale (2023), Jameel Art Center (2022), MISC Athens (2021), and Beirut Art Center (2020) among others.

His first book How to see the palace pillars as palm trees was published in Arabic in 2020 with Kayfa ta. The English translation was published in 2024. 

https://kayfa-ta.com/htsp
https://www.vam.ac.uk/blog/projects/beirut-mapped-my-mothers-balcony

Contact:hsn.nassereddine@gmail.com
Laughing on the River, Your Eyes Drown in Tears
A King Made of Nothing
A Few Decent Ways To Drown
Even The Most Delicate of Hands Could Not Hold The River
Two Birds, Sleeping
The Red Castle, As It Occurred
Palm Trees Leave their Places: a Trilogy
How to See the Columns as Palm Trees
Palm Trees Leave their Places: Lecture Performance
Hanging Notes On The Red Castle
Improvising “Abdallāh-The killed”
The Complete Uncredited Works: The Image of The Face
The Complete Uncredited Works
I Invite Waves To Come
Grass Grows In The Mouth When You Talk About It
The Killed