I Invite Waves To Come, 2017. Exhibition: Beirut Museum of Modern Art Residency, 2017, Jezzine, Lebanon.
I Invite Waves To Come, 2017. Hanging Notes on The Red Catsle, 2019. Exhibition: Beirut Museum of Modern Art Residency, 2017, Jezzine, Lebanon.
I Invite Waves To Come, 2017. Hanging Notes on The Red Catsle, 2019. Exhibition: Beirut Museum of Modern Art Residency, 2017, Jezzine, Lebanon.
I Invite Waves To Come, 2017. Hanging Notes on The Red Catsle, 2019. Exhibition: Beirut Museum of Modern Art Residency, 2017, Jezzine, Lebanon.
I Invite Waves To Come, 2017. Hanging Notes on The Red Catsle, 2019. Exhibition: Beirut Museum of Modern Art Residency, 2017, Jezzine, Lebanon.
The work explores the river as a state of constant flux, highlighted by the absence of the water that constitutes it. "I invite Waves to Come" studies water through its cycle of elements, reflecting on its destructive ability to change the material's form.
Pillar structures placed in different locations along Jezzine’s riverbed. They are made out of salt, a component derived from water that is subjected to change due to climate factors such as heat, humidity, floods, rain, winds as well as animal and insect interventions. The brick structures, situated at different heights and in multiple locations embody a process of natural decay. They remain exposed to natural imprinting until collapsing and dissolving entirely into the river.
- Faire Place au Monde, Cité internationale des arts, France - 8 Oct 2026 - 16 Jan 2027
- Loss Marginalia, A M Qattan Foundation, Palestine - 16 May - 26 Oct 2026
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